Get Sheet Music

One form stands between you and your new sheet music. You've got this.

Easy.

Keep going.

                                                                                                                                                                               1. What music                                                                                                                                                   2. Number of copies                                                                                                                                   3. City/state of residence                                                                                                                         4. What you plan to use it for (so we can get the rights right)

 Nice work! You'll receive an email response within two business days.

Pricing

Choral scores: $2.50/print

Solo vocal scores: $4.50/print

(No minimum on choral scores. Because small choirs rock.)

Payment

Your invoice will have a Venmo link to @lukehahnmusic. You'll get your music emailed to you within two business from my receiving payment.

Performance

Let's get the "rights right!" Let me know how you're using the music, so I can make sure you have the rights you need. (Usually this costs you nothing.)

Penguins

Because thinking about them might make you buy more music.

Performance rights? Copyright? Tell me more.

I remember first taking voice lessons in high school to prepare for college scholarship auditions. Shoveling out the dough for lessons already took some planning, so I was stuck with a decision: would I push the budget further to purchase all the music I would be singing, or use illegal copies of my teacher's music?

I also remember being offered a spot in a small ensemble that covered copyrighted music. The money was good, and the musicians were good, but there wasn't clarity as to how performance rights were being navigated at their venues. I passed on the gig.

One of my goals as a composer is to protect high schoolers, college students, and choir directors from these dilemnas, so that everyone can feel better about doing what they need to do to make music.

Maybe you want to be able to legally copy music for your voice students, or buy a reproducable score for your choir. We can adjust the details on your invoice to accomodate those needs. I like to keep things flexible so I can serve as many teachers and students as possible.

Thanks for your cooperation. I hope that by working together, we can make the tangled world of music rights a little easier to navigate.

No digital marketplace?

Nope! I'm proud to process orders manually because doing so empowers both of us:

1. Your purchase agreement is tailored to your individual needs versus a boiler-plate transaction

2. I get to save on sales commissions

3. We get to know each other a little!

The benefits of self-publishing

Let's be real: it's a little crazy to self-publish. Publishing houses offer composers many benefits, such as exposure, credibility, and editorial support.

As a composer, to me the most important thing is to ensure the people who need my music can get it in the way they need it. Because of that, things like complete ownership of copyrights and performance rights are more important to me right now than more people possibly seeing my music or having flawless engravings.

Regardless of distribution method, the proof is "in the pudding," or in the music itself. I believe that my scores are beautiful, servicable, and heart-felt. And I'm excited by the opportunity to share them with others in the most adaptable, flexible format possible.

Questions?